He embarked on an international tour to support the record, performing concerts in North America, Japan, Australia, and the United Kingdom between September and April 2010. A widespread critical success, The Ecstatic was viewed as a return to form for Mos Def and one of the year’s best albums.
Mos def the ecstatic full album code#
Its sales benefited from its presence on Internet blogs and the release of a T-shirt illustrating the record’s packaging alongside a label printed with a code redeemable for a free download of the album. Released on June 9, 2009, The Ecstatic charted at number nine on the Billboard 200 and eventually sold 168,000 copies. Mos Def titled The Ecstatic after one of his favorite novels-the 2002 Victor LaValle book of the same name-believing its titular phrase evoked his singular creative vision for the album. Mos Def - The Ecstatic (2009) : Mos Def : Free Download, Borrow, and Streaming : Internet Archive. Its loosely structured, lightly reverbed songs used unconventional time signatures and samples taken from a variety of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def’s raps about global politics, love, spirituality, and social conditions were informed by the zeitgeist of the late 2000s, Black internationalism, and Pan-Islamic ideas, as he incorporated a number of Islamic references throughout the album. The Ecstatic was described by music journalists as a conscious and alternative Hip Hop record with an eccentric, internationalist quality. For its front cover, a still from Charles Burnett’s 1978 film Killer of Sheep was reproduced in red tint. Singer Georgia Anne Muldrow, formerly of the record label, was one of the album’s few guest vocalists, along with rappers Slick Rick and Talib Kweli. Flash, Oh No, and Madlib, the latter two of whom re-used instrumentals they had produced on Stones Throw Records. He worked with producers such as Preservation, Mr. After venturing further away from Hip Hop with an acting career and two poorly received albums, Mos Def signed with Downtown Records and recorded The Ecstatic primarily at the Record Plant in Los Angeles.
The Ecstatic is the fourth studio album by Mos Def. And you can print that on a T-shirt.Mos Def’s fourth studio album.
Mos Def Artist: Mos Def Album: The Ecstatic Year/Año: 2009 Label/Sello: Downtown Music Album. With leftfield collaborations with Slick Rick on one side and the reedy-feely Georgia Anne Muldrow on the other, The Ecstatic isn’t the concentrated wonder that is Black on Both Sides, but it’s a refreshing bounce back from the precipice of the Land of Sellout. Georgia Anne Muldrow 38:43 15 - History (ft Talib Kweli) Prod. Both “Auditorium” and “Revelations,” with their spaghetti western samples and interjected raspberries, sound like flat-out remixes of Madvillain’s “All Caps” the entire album careens wildly, free from the constraints of chorus and verse, like the best from Stones Throw’s back catalogue. It’s probably the fullest standalone song on the whole album, which otherwise proudly bears the trademark stamp of producer Madlib’s cinematic sound palate (solidly emulated by his younger brother Oh No). Killer of Sheep‘s Watts neighborhood isn’t Bed-Stuy, but Mos Def makes the leap of faith as deftly as the pictured boy, leaping from rooftop to rooftop. Set against a magisterial beat, it alone validates the borrowing of Burnett on the cover. had to flee”) are juxtaposed against a clear-eyed view of the reality that sets in harder with each passing year. But despite the calculation and consumer-minded distribution model, The Ecstatic turns out to be a modest but unmistakable step back toward comparable consciousness.īefitting a return to roots, “Live in Marvelous Times” is Mos Def’s “I Wish,” a hard-edged return to Bedford-Stuyvesant circa 1982 (“the pre-crack era”) in which bittersweet memories of the pop culture that was (“My phone wasn’t touchtone, a heavy beef in the street E.T. Makes sense, as Mos Def’s albums since 1999’s subtly uncompromising Black on Both Sides have steadily moved closer and closer to a digestible, off-the-rack accessibility, culminating in True Magic, which pleased no one. A line of T-shirts will be sold in July that not only feature the album’s cover art (a still from the Charles Burnett film Killer of Sheep), but also a coded tag which buyers can use to download their own copy of the album.
While not quite on the same scale as Prince handing out free copies of Musicology to every concert ticketholder, Mos Def’s new album The Ecstatic will soon be made available free of charge (in a sense) to music-minded fashionistas. Such is the ragged state of the music industry that it’s almost a shock that some musicians still care enough about how many albums they sell that they forge new models of media distribution.
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